Mambo

Gina Gibney, the founder of Gibney Dance Company, connects with acclaimed dancemaker, Sonya Tayeh to discuss “Oh Courage!” and Tayeh’s work with the Gibney Company. “Oh Courage!” is featured in UNBOWED: Signature Programme 2.

FFDN’s Artistic Director, Ilter Ibrahimof, meets with the sole Co-Artistic Director of Candoco Dance Company, Charlotte Darbyshire to discuss Candaco’s mission and history. The company’s featured performance of I wish we would start over, is being presented as part of HEARTBEATS: Signature Programme 1.

Timea Wharton-Suri, Curator and Executive Director of dance Immersion, sits down with dance artist, Pulga Muchochoma to talk about his solo work, Mascara, being presented at FFDN as part of HEARTBEATS: Signature Programme 1.

Turn Out Radio's Nicole Inica Hamilton join Freddy Gipp and Thunder Jack, producers of the Indigenous dance competition, Tkaronto Open, to talk about FFDN’s newest program.

Stanford Makishi, Vice President of Programming at New York City Center for Fall For Dance NY, guides us through an enthralling conversation with one of Hawaii’s most esteemed Hula choreographers and educators, Kaleo Trinidad.

Tap performers and choreographers Dianne Montgomery and Michela Marino Lerman meet virtually for a conversation that begins by discussing each of their latest works, before venturing deeper into the heart of their creative processes.

Jera Wolfe and Kenneth Shirley waste no time in this playful and insightful conversation, immediately jumping into talking about all their exciting dance endeavours of late.

Kimberley Cooper, the current Artistic Director of Decidedly Jazz Danceworks, sits down with Vicki Adams Willis, one of DJD’s three founders, inside one of the studios at their beautiful new permanent building in downtown Calgary.

Zack Martel and Santiago Rivera, the dynamic circus duo known professionally as Solo un Duelo, in conversation with Francisco Cruz, a fellow circus performer they both admire.

Collaborators Karen Kaeja and Roshanak Jaberi take a break from doing the final edits on their new dance film, Slipping, and sit facing each other on a loveseat in Karen’s Toronto home.

One cultural byproduct of the pandemic has been the proliferation of filmed stage performances. The ubiquitous presence of livestream and on-demand digital content makes it easy to overlook the dizzying amount of decisions and expertise that go into bringing the stage to the screen. As an Oscar nominated director and one of Canada’s leading film/TV Producers, Barbara Willis Sweete knows a thing or two about capturing magic with a camera. She has also directed more than 30 Live Broadcasts from the Metropolitan Opera of New York, and countless dance performances. We sit down with Barbara at her home for an in-depth chat on bringing dance to life on the big (& small) screen, then journey behind the scenes with her on the set of a recent dance film shoot.

In Getting to know your Fruit dancer/choreographer Sara Porter embodies a botany all her own, inviting us to get to know our own internal fruit. Exploding the theatrical moment into movement and monologue that reveals the heart of a woman in conversation with herself about finding the truest ways to self-expression, the new film version of her monumental work, directed by William Yong, examines the fruits of her 30-year career in performing and writing. We sat down with Sara and visited her in the studio to chat about digging deep into memoir and movement to create a new form for Fruit.

For most of us the process of deciding what ends up on stage in front of us is something we have little knowledge of, with the immense care and consideration that goes into curating living behind a veil of unknowns. This episode peels back that veil and offers a window into the art of curation, opening up and exploring the complexities surrounding it. First we caught up with Laurence Lemieux, Artistic Director of Citadel + Compagnie, and she spoke on how she approaches curating her company and theatre space. We then sat down with Dancer and Choreographer Christine Friday who, using her recent experience as ⅓ of the curatorial committee for 2021’s Night Shift program as a jumping off point, generously discussed her experience curating, and aspects of her life and artistic practice which have shaped how she inhabits into that role.

Born in Zolani, South Africa, brothers Mthuthuzeli & Siphe November have danced together since before either of them can remember, until their passion for dance grew into two accomplished careers and sent them to two different continents. Siphe has been an undeniable force and integral part of the National Ballet of Canada; and Mthuthuzeli’s work as a dancer and choreographer in London, England with Ballet Black continues to dazzle and win prestigious awards. We caught up with both brothers in the midst of their creation process in London to chat about how they were getting along. Their highly-anticipated work, titled My Mother’s Son, was filmed by Canadian director Vikram Dasgupta at the palatial Battersea Arts Centre in London, and premieres on Oct. 13 as part of Fall for Dance North’s digital event 2021 Signature Program, co-presented by TO Live.

In the landscape of Canadian dance few names are as instantly recognizable as Guillaume Côté. Whether embodying the eternal Romeo, or conjuring Norman McLaren in his work Frame by Frame, Guillaume has captured our collective imagination and brought us with him through countless journeys as both a dancer and choreographer. But where does he return to after the curtain falls? Where, or what, or who is home? We traveled to Le Festival des Arts de Saint-Sauveur for the world premiere of Guillaume’s new full-length work + (dix), in which he beautifully explores and expands on these questions. We take you backstage and on stage; and then sit down for an intimate chat with Guillaume on this new work, his life, and so much more.

In a medium so often centered on the depth and dazzling qualities of its sights, it's easy to overlook the sound of dance. And yet, all movement makes sound – if you know how to listen. We invite you to open your ears and take a trip inside the auditory world of two performers pushing the boundaries of percussive dance. We traveled to New York and Michigan to chat with American dance artists Caleb Teicher and Nic Gareiss. You can see them perform in Heirloom - a new series of outdoor presentations by FFDN in collaborations with regional partners in Peterborough (Sept. 11), Hamilton (Sept. 16), and Niagara (Sept. 18).

The story of objects coming to life is no stretch for a ballet audience familiar with narratives of dolls (Coppélia) and toys (The Nutcracker) magically transformed. In FFDN’s the flip side festival, the physical objects of the theatre, studio and backstage lie dormant. Or do they? With a sense of humour, a dose of imagination – and some help from Second City Toronto actors – Ilter and Nicole converse with the festival’s lost objects in a group counselling session. You can meet the individual objects at ffdnorth.com.

For dancers, mirrors are an important tool for self-reflection and assessment. For an organization like Fall for Dance North, the process involves a different kind of mirror. Enter CPAMO, Cultural Pluralism in the Arts Movement Ontario, a Toronto-based group that works with arts organizations to build constructive relationships with Indigenous and racialized artists. Hear from CPAMO Executive Director, Charles C. Smith, on the organization’s work. Sit in on FFDN staff conversations about diversity, equity and inclusion in the arts landscape.

Expressive intent. Meaningful music. Crafted choreography. Performer connection. These are essential ingredients in a dance production; bringing them together requires discipline and commitment. Rehearsal after rehearsal eventually brings synchrony and flow. For professional dancers, it’s just part of the job. But for couples rehearsing a dance for their wedding night, it’s a whole new experience. Follow Toyin and Joshua as they prepare for the dance of a lifetime. A world premiere – no matter the setting – involves much the same process.

Can you experience dance just by listening? Find out in this audio production of the dance-theatre performance Talent/Show by Canadian-born, Germany-based choreographer Sabina Perry. The work takes a tragicomic look at the question “What are you good at?” After its German premiere, Talent/Show was about to run in Toronto when the city went into COVID-19 lockdown. In collaboration with FFDN, the artists experiment with new modes of access for dance audiences in this reinvention of the work. Photo by Michael Maurissens

A collaboration is born of many conversations. We paid a visit to Lake Temagami, home of the Teme-Augama-Anishniaabe people in Northern Ontario, and chatted with the creators behind FLOW (while we dipped in the beautiful lake and sang by the fire). Featured in the 2020 Signature Program, this FFDN commission by Red Sky Performance addresses our relationship with the natural environment and, especially, with water. Hear from Executive and Artistic Director Sandra Laronde, Artistic Associate and choreographer Jera Wolfe on the inspirations behind this new creation. Photo by Johnny Spence

Hey sports fans … come attend a dance show! Always keen to share his love for dance, Artistic Director Ilter Ibrahimof invited his neighbour Eric to Fall for Dance North in 2018, culminating in a backstage tour. In exchange, Eric took Ilter to his first baseball game. Hear about their first encounters, what they found in common and what they learned about these seemingly different spectator events. Of course, they both got t-shirts. Photo by Nicole Hamilton

Mambo, the new podcast series from Fall for Dance North premieres Sept. 30, 2020