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British Studies Lecture Series

British Studies Lecture Series

British Studies Lecture Series

The British Studies program at the University of Texas at Austin was created in 1975. For more than thirty years the program has sponsored public lectures in English literature, history, and government, and has conducted a weekly seminar called the Faculty Seminar on British Studies that includes faculty members, graduate students, undergraduates, and members of the Austin community.

61 - Why Humanities Courses Are in Distress: A Modest Proposal for a Remedy
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  • 61 - Why Humanities Courses Are in Distress: A Modest Proposal for a Remedy

    Paula Marantz Cohen DREXEL UNIVERSITY How can decline in enrollments in the humanities be explained? Nationwide in recent years estimates of the drop in liberal arts majors range from one-fourth to one-third of those in English, history, government, philosophy and other traditional subjects. English departments have been hit especially hard. One study found that faculty members seem to be in denial about the general decline. How in a practical way might interest in humanities majors be revived? One university has tried a blend, for example, of computer science and philosophy. At UT the Plan II program offers such courses as ‘Water and Society’, and ‘Law and Ethics’.  Here is a hint about English majors: it has to do with Shakespeare.   Paula Marantz Cohen is Distinguished Professor of English and Dean of the Honors College at Drexel University. She is the author of five nonfiction books and five best-selling novels. She writes frequently for the Times Literary Supplement, The Yale Review, The American Scholar, and The Wall Street Journal. She is a co-editor of the Journal of Modern Literature and the host of the nationally distributed TV show, The Drexel InterView (retitled for next season The Civil Discourse).

    Tue, 10 Mar 2020 - 0min
  • 60 - Imperial Recessional: Sir William Luce and the Creation of the United Arab Emirates

    Tancred Bradshaw LONDON One of the surprises of Britain’s withdrawal from the Middle East was the successful creation of the United Arab Emirates in 1971. Tancred Bradshaw will discuss the critical role played by Sir William Luce, previously Governor and Commander-in-Chief of the Aden Colony, in that transition. Luce was responsible for establishing a viable political structure for the previously semi-independent sheikhdoms of the Gulf. Against the odds, he succeeded in his quest to create the UAE and to establish Bahrain and Qatar as independent states.   Tancred Bradshaw received his Ph.D. from the School of Oriental and African Studies and has since taught at Birkbeck College, the University of London, City University, and Florida State University. His books include King Abdullah I and the Zionist Movement and Glubb Pasha and Britain’s Project in the Middle East, 1920–1945. His talk will draw on his recent book, The End of Empire in the Gulf. He is currently working on a book entitled Britain and Oman: The Illusion of Independence.

    Tue, 25 Feb 2020 - 0min
  • 59 - Why Did Elizabethans and Jacobeans Read Shakespeare’s Plays?

    Aaron Pratt HARRY RANSOM CENTER Before the publication of Shakespeare’s First Folio in 1623 and the efforts of subsequent editors and critics, England’s printed playbooks were considered “riff raff,” connected more with the world of London’s popular theaters than with what we might think of as “capital-L” Literature. Or so we have been told. This lecture will offer the beginnings of a new narrative that places quartos at the center rather than on the periphery of literary culture in Elizabethan and Jacobean England. Aaron T. Pratt is the Carl and Lily Pforzheimer Curator of Early Books and Manuscripts at the Harry Ransom Center. With a Ph.D. in English from Yale University, he is a specialist in bibliography, the history of the book, and the literature and culture of early modern England. His academic work has appeared in a number of journals and edited collections, and he is currently working on a book to be titled Quarto Playbooks and the Making of Shakespeare.

    Mon, 02 Mar 2020 - 0min
  • 58 - Philip Goad (Harvard) on British and American architecture

    Philip Goad is the Gough Whitlam and Malcolm Fraser Visiting Professor of Australian Studies (AY2019-20) at Harvard University and Chair of Architecture and Redmond Barry Distinguished Professor at the University of Melbourne. He was trained as an architect and gained his PhD in architectural history at the University of Melbourne where he has taught since 1992 and was founding Director of the Melbourne School of Design (2007-12). He has been President of the Society of Architectural Historians, Australia & New Zealand (SAHANZ), editor of its journal Fabrications, and in 2017, was elected Life Fellow. He has been President of the Australian Institute of Architects (Victorian Chapter) and in 2014, was elected Life Fellow. In 2008, he was made a Fellow of the Australian Academy of the Humanities (FAHA). He is co-author of Modernism and Australia: Documents on Art, Design and Architecture, 1917-1967 (Miegunyah Press, 2006) and Modern Times: The Untold Story of Modernism in Australia (Miegunyah Press with Powerhouse Publishing, 2008); co-editor of The Encyclopedia of Australian Architecture (Cambridge University Press, 2012); co-author of An Unfinished Experiment in Living: Australian Houses 1950-65 (UWA Press, 2017); Architecture and the Modern Hospital: Nosokomeion to Hygeia (Routledge, 2019); Bauhaus Diaspora and Beyond: Transforming Education through Art, Design and Architecture (Miegunyah Press and Power Publishing, 2019); and AustraliaModern: Architecture, Landscape and Design (Thames & Hudson, 2019). He was co-curator of Augmented Australia at the Australian Pavilion at the Venice International Architecture Biennale (2014) and Visiting Patrick Geddes Fellow, University of Edinburgh (2016). He is currently researching his next books, one on Australian-US architectural relations, the other on Australian architect and critic Robin Boyd.

    Mon, 17 Feb 2020 - 0min
  • 57 - The London Review of Books

    The London Review of Books was founded in 1979 during a strike at The Times that prevented the publication of the Times Literary Supplement. By the time the dispute at The Times was settled, two issues of the LRB had been published. At the beginning there was only a small circulation. A large proportion of the reviews focused on academic issues. And there was, in the words of its editor, Mary-Kay Wilmers, both “a leftish point of view” and a certain amount of condescension and even mockery directed at it. The LRB’s archive, which has found a home in the Harry Ransom Center, provided the basis for a history of the LRB’s first four decades.   Sam Kinchin-Smith is Head of Special Projects at the LRB. He compiled the London Review of Books: An Incomplete History (2019) with the support of an HRC fellowship. He is the author of a monograph on Benjamin Britten’s Peter Grimes (2018) and the editor of a catalogue of the political artist Kaya Mar’s work, Naked Ambition (2020).

    Tue, 11 Feb 2020 - 0min
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