Tempo

In this episode of Tempo, host and conductor Matthew Coorey interviews violinist and conductor Stanley Dodds about his earliest musical experiences, growing up in Adelaide, Australia. They discuss the influence that travelling as a teenager and attending a music school in Austria had on the role music would play in his life. Stan discusses his 30-year career with the Berlin Philharmonic, his love of contemporary music, stumbling into conducting at an Australia National Music Camp, and his conducting life with the Berlin Symphony Orchestra. 

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In this episode of Tempo, host Matthew speaks with violinist Kirsty Hilton about her journey from Sydney Youth Orchestras to becoming Principal Second Violin of the Sydney Symphony Orchestra. Kirsty discusses her early musical training and experiences playing with ensembles like the Mahler Chamber Orchestra and Berlin Philharmonic. She shares insights into adapting to different orchestral styles and the transition of returning to Australia after many years abroad. An inspiring conversation that offers a glimpse into the life of an international soloist and insights for young musicians.

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In this episode, Matthew Coorey interviews Alexander Briger about his career journey from playing fiddle in SBS youth orchestra to becoming one of Australia's leading conductors. They discuss the founding of the Australian World Orchestra, a shared love of Mahler and the challenges of organizing international tours during the COVID-19 pandemic.

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This episode of Tempo features Australian percussionist and artistic director Claire Edwardes. She discusses her early musical memories and how she got into percussion after starting on piano. Edwardes talks about her experiences in youth orchestras and some of the challenges of playing percussion parts, and shares her passion for working with composers and premiering new works. We delve into Edwardes' diverse career spanning orchestral, solo and ensemble performances around the world.

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In this episode of Tempo, host Matthew Coorey interviews violinist Ray Chen about his early musical experiences starting at age 4 with Suzuki method lessons. Chen shares memories of playing in youth orchestras like JSC and QIO as a child, which helped combat feelings of loneliness. He discusses realizing his talent and humor at a young age. Chen also touches on studying at the prestigious Curtis Institute of Music in Philadelphia and his goal to bring levity to classical music.

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